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dc.contributor.authorDegasperi, Angelica
dc.date.accessioned2022-06-02T04:26:29Z
dc.date.available2022-06-02T04:26:29Z
dc.date.issued2016
dc.date.submitted2022-05-31T10:26:31Z
dc.identifierONIX_20220531_9788864533926_601
dc.identifier2704-5870
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55317
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83229
dc.description.abstractThe volume analyses the representation of ceramic artefacts appearing in some Tuscan artistic works dating back to the 14th and 15th century and aims to combine the data emerging from iconographic sources with those relating to material and written documentation. It also aims to grasp the potential of iconography, trying to understand the extent to which it is possible to identify archaeologically well-defined cultural areas; it also attempts to establish whether the representations of specific details of everyday life correspond to a realistic description of everyday life itself, or rather are a reflection of feelings of curiosity, amazement, ambition or appreciation for the beauty of the objects. The study highlights how iconography is able to integrate our knowledge on the medieval ceramic productions and on the social context of use of specific vascular forms and types.
dc.languageItalian
dc.relation.ispartofseriesStrumenti per la didattica e la ricerca
dc.rightsopen access
dc.titleArte nell’arte
dc.title.alternativeCeramiche medievali lette attraverso gli occhi dei grandi maestri toscani del Trecento e del Quattrocento
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-392-6
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864533926
oapen.relation.isbn9788864533919
oapen.relation.isbn9788892732322
oapen.pages202
oapen.place.publicationFlorence
dc.seriesnumber180
dc.abstractotherlanguageThe volume analyses the representation of ceramic artefacts appearing in some Tuscan artistic works dating back to the 14th and 15th century and aims to combine the data emerging from iconographic sources with those relating to material and written documentation. It also aims to grasp the potential of iconography, trying to understand the extent to which it is possible to identify archaeologically well-defined cultural areas; it also attempts to establish whether the representations of specific details of everyday life correspond to a realistic description of everyday life itself, or rather are a reflection of feelings of curiosity, amazement, ambition or appreciation for the beauty of the objects. The study highlights how iconography is able to integrate our knowledge on the medieval ceramic productions and on the social context of use of specific vascular forms and types.


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