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dc.contributor.authorTerigi, Elisabetta
dc.date.accessioned2022-06-02T04:29:09Z
dc.date.available2022-06-02T04:29:09Z
dc.date.issued2013
dc.date.submitted2022-05-31T10:20:38Z
dc.identifierONIX_20220531_9788866555100_357
dc.identifier2705-0297
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55073
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83367
dc.description.abstractThe objective of this work is to investigate the meaning of myth in the work of Yvan Goll (1891-1950), a Franco-German, bilingual and Jewish poet. In his poems, characters of the classical tradition alternate with biblical and historical figures: among all stands out the topic of the myth of Europe, understood as a geographical space and universal homeland for all those who, born in a borderland like Goll, feel “heimatlos”, that is stateless. The aim of the thesis is to demonstrate how the artist's dialogue with the myth follows precise and constant rules with a clear goal: to send a strong message to the contemporary world. Taking into consideration the works dedicated to the mythical heritage, it is observed how after the Mythisierung (mythisation) of the old continent, the author deconstructs his own creation through a systematic Entmythisierung (demythisation).
dc.languageItalian
dc.relation.ispartofseriesPremio Ricerca «Città di Firenze»
dc.rightsopen access
dc.titleYvan Goll ed il crollo del mito d'Europa
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-510-0
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866555100
oapen.relation.isbn9788866555094
oapen.relation.isbn9788892734760
oapen.pages244
oapen.place.publicationFlorence
dc.seriesnumber32
dc.abstractotherlanguageThe objective of this work is to investigate the meaning of myth in the work of Yvan Goll (1891-1950), a Franco-German, bilingual and Jewish poet. In his poems, characters of the classical tradition alternate with biblical and historical figures: among all stands out the topic of the myth of Europe, understood as a geographical space and universal homeland for all those who, born in a borderland like Goll, feel “heimatlos”, that is stateless. The aim of the thesis is to demonstrate how the artist's dialogue with the myth follows precise and constant rules with a clear goal: to send a strong message to the contemporary world. Taking into consideration the works dedicated to the mythical heritage, it is observed how after the Mythisierung (mythisation) of the old continent, the author deconstructs his own creation through a systematic Entmythisierung (demythisation).


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