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dc.contributor.editorSbordone, Giovanni
dc.date.accessioned2022-06-02T04:31:18Z
dc.date.available2022-06-02T04:31:18Z
dc.date.issued2015
dc.date.submitted2022-05-31T10:24:37Z
dc.identifierONIX_20220531_9788866558170_530
dc.identifier2612-7946
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55246
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83444
dc.description.abstractGiorgio Trentin (1917-2013), eldest son of the anti-fascist exile Silvio and brother of the unionist Bruno, was one of the greatest connoisseurs, enthusiasts and 'defenders' of engraving art in Italy. With this conference promoted a few months after his death, the Academy of Fine Arts of Venice and the Centro documentazione e ricerca Trentin have brought together the researches of scholars from different backgrounds and the testimonies of those who knew Giorgio Trentin. The aim was the one of restoring unity to the two 'faces' of his figure: on one hand the civil and anti-fascist militancy (a characteristic and unmistakable mark of the family) on the other the commitment in the artistic field, which represented personal space of Giorgio or, better, his personal declination of that common militancy. To him, in fact, the engraving technique was an indispensable paradigm of moral rigour and the search for truth.
dc.languageItalian
dc.relation.ispartofseriesCarte, Studi e Opere – Centro Trentin di Venezia
dc.rightsopen access
dc.titleIncidere, Incidere, Incidere
dc.title.alternativeGiorgio Trentin tra etica dell’arte e impegno politico
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-817-0
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866558170
oapen.relation.isbn9788866558163
oapen.relation.isbn9788866558187
oapen.relation.isbn9788892734098
oapen.pages234
oapen.place.publicationFlorence
dc.seriesnumber2
dc.abstractotherlanguageGiorgio Trentin (1917-2013), eldest son of the anti-fascist exile Silvio and brother of the unionist Bruno, was one of the greatest connoisseurs, enthusiasts and 'defenders' of engraving art in Italy. With this conference promoted a few months after his death, the Academy of Fine Arts of Venice and the Centro documentazione e ricerca Trentin have brought together the researches of scholars from different backgrounds and the testimonies of those who knew Giorgio Trentin. The aim was the one of restoring unity to the two 'faces' of his figure: on one hand the civil and anti-fascist militancy (a characteristic and unmistakable mark of the family) on the other the commitment in the artistic field, which represented personal space of Giorgio or, better, his personal declination of that common militancy. To him, in fact, the engraving technique was an indispensable paradigm of moral rigour and the search for truth.


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