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dc.contributor.authorPisaniello, Saverio
dc.date.accessioned2022-06-02T04:31:26Z
dc.date.available2022-06-02T04:31:26Z
dc.date.issued2008
dc.date.submitted2022-05-31T10:14:50Z
dc.identifierONIX_20220531_9788884537980_128
dc.identifier2704-5870
dc.identifierhttps://library.oapen.org/handle/20.500.12657/54844
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83448
dc.description.abstractEsistenza minima brings together the results of a study carried out by the author in connection with his degree thesis. A celebrated pre-text – the letter of Pliny the Younger to Gallus in which he describes the Laurentian villa – becomes the mesh into which he weaves the pivotal figures of modernity. The continual cross-referencing of word and drawing, word and image, builds into a procedural approach that clearly posits the design dimension as the cognitive foundation. It is a singular, somewhat unusual text that transports the reader into a territory where the common ground between narration and memoir, the work of the masters and the personal diary, is intriguingly explored.
dc.languageItalian
dc.relation.ispartofseriesStrumenti per la didattica e la ricerca
dc.rightsopen access
dc.subject.otherArchitettura
dc.subject.otherProgettazione architettonica
dc.subject.otherDisegno architettonico
dc.subject.otherPlinio il giovane
dc.subject.otherFranco Realla
dc.subject.otherAdolfo Natalini
dc.titleEsistenza minima
dc.title.alternativeStanze, spazî della mente, reliquiario
dc.typebook
oapen.identifier.doi10.36253/978-88-8453-798-0
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788884537980
oapen.relation.isbn9788855188579
oapen.relation.isbn9788884537973
oapen.place.publicationFirenze
dc.seriesnumber64
dc.abstractotherlanguageEsistenza minima brings together the results of a study carried out by the author in connection with his degree thesis. A celebrated pre-text – the letter of Pliny the Younger to Gallus in which he describes the Laurentian villa – becomes the mesh into which he weaves the pivotal figures of modernity. The continual cross-referencing of word and drawing, word and image, builds into a procedural approach that clearly posits the design dimension as the cognitive foundation. It is a singular, somewhat unusual text that transports the reader into a territory where the common ground between narration and memoir, the work of the masters and the personal diary, is intriguingly explored.


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