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dc.contributor.authorTufarelli, Margherita
dc.date.accessioned2022-06-02T04:31:32Z
dc.date.available2022-06-02T04:31:32Z
dc.date.issued2022
dc.date.submitted2022-05-31T10:38:47Z
dc.identifierONIX_20220531_9788855185240_1010
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55726
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83454
dc.description.abstractWith the digital transformation, the exponential increase in the number of tools and types of support with which human expressions can be created and transmitted brings with it new cultural paradigms that feed creative productions and vice versa, giving rise to new questions regarding how Heritage “works”, what it “does” and what it “serves”. This is the general context in which the research project described in this book is set, and the convergence that has been created over time between technologies, cultural heritage, and design, which today seem to implement a triangulation in which each vertex favors the relationship between the other two, opening up new and interesting research perspectives to explore.
dc.languageItalian
dc.relation.ispartofseriesRicerche. Architettura, Pianificazione, Paesaggio, Design
dc.rightsopen access
dc.subject.otherDesign
dc.subject.otherDigital Culture
dc.subject.otherDigital Archives
dc.subject.otherCultural Heritage
dc.subject.otherDigital Memory
dc.titleDesign, Heritage e cultura digitale
dc.title.alternativeScenari per il progetto nell’archivio diffuso
dc.typebook
oapen.identifier.doi10.36253/978-88-5518-524-0
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855185240
oapen.relation.isbn9788855185257
oapen.pages146
oapen.place.publicationFlorence
dc.seriesnumber14
dc.abstractotherlanguageWith the digital transformation, the exponential increase in the number of tools and types of support with which human expressions can be created and transmitted brings with it new cultural paradigms that feed creative productions and vice versa, giving rise to new questions regarding how Heritage “works”, what it “does” and what it “serves”. This is the general context in which the research project described in this book is set, and the convergence that has been created over time between technologies, cultural heritage, and design, which today seem to implement a triangulation in which each vertex favors the relationship between the other two, opening up new and interesting research perspectives to explore.


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