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dc.contributor.authorZALAMBANI, MARIA
dc.date.accessioned2022-06-02T04:31:50Z
dc.date.available2022-06-02T04:31:50Z
dc.date.issued2009
dc.date.submitted2022-05-31T10:15:56Z
dc.identifierONIX_20220531_9788864530802_169
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/54885
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83469
dc.description.abstractSoviet society has always been characterised by a marked institutional censorship which, in the face of the power of the written word, has set in motion a series of highly repressive institutions. However, censorship does not necessarily exert its power through forms of coercion; there are also approaches that are implemented through a complex network of cultural institutions that can "produce" society, expunging concepts and attitudes that are a threat to the system and at the same time masterminding a series of organisms designed to forge orthodox behaviour and mindframes, to the extent that the role of the external censor often becomes almost superfluous, being replaced by the "censor of the soul". This book seeks to bring to the fore this second type of censorship, albeit without neglecting the complex repressive machinery set in motion by Soviet power. Press Review: Il Giornale, L'INTERVISTA - MARIA ZALAMBANI: «Così Breznev censurò persino Sartre» a cura di Giuseppe Ghini, 19/04/2010
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.subject.otherCensura
dc.subject.otherLetteratura
dc.subject.otherRussia
dc.subject.otherFilologia slava
dc.subject.otherURSS
dc.titleCensura, istituzioni e politica letteraria in URSS (1964-1985)
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-080-2
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864530802
oapen.relation.isbn9788864530758
oapen.relation.isbn9788892737297
oapen.pages284
oapen.place.publicationFirenze
dc.seriesnumber10
dc.abstractotherlanguageSoviet society has always been characterised by a marked institutional censorship which, in the face of the power of the written word, has set in motion a series of highly repressive institutions. However, censorship does not necessarily exert its power through forms of coercion; there are also approaches that are implemented through a complex network of cultural institutions that can "produce" society, expunging concepts and attitudes that are a threat to the system and at the same time masterminding a series of organisms designed to forge orthodox behaviour and mindframes, to the extent that the role of the external censor often becomes almost superfluous, being replaced by the "censor of the soul". This book seeks to bring to the fore this second type of censorship, albeit without neglecting the complex repressive machinery set in motion by Soviet power. Press Review: Il Giornale, L'INTERVISTA - MARIA ZALAMBANI: «Così Breznev censurò persino Sartre» a cura di Giuseppe Ghini, 19/04/2010


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