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dc.contributor.authorMiles, Melissa
dc.date.accessioned2022-06-29T04:04:43Z
dc.date.available2022-06-29T04:04:43Z
dc.date.issued2020
dc.date.submitted2022-06-28T08:14:37Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/57125
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/84729
dc.description.abstractPhotography, Truth and Reconciliation examines the special place of photographs in contexts of truth and reconciliation. The moral and political implications of viewing photographs of human suffering, especially from a political and geographic distance, informs much of this body of work. The importance of acknowledging these contextual specificities is why Photography, Truth and Reconciliation is structured around five discrete national case studies: Argentina, South Africa, Canada, Australia and Cambodia. Photography’s ability to lend itself to different forms of truth means that this medium has been eagerly adopted in contexts of truth and reconciliation. Reconciliation and its relationships to photography, truth and history are similarly variable and contextually determined. In studies of transitional justice, there is little consensus about what reconciliation means and how it can be achieved. The chapter also presents an overview on the key concepts discussed in this book.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherhistory of photography, art history, visual studies
dc.titleChapter Introduction
dc.typechapter
oapen.identifier.doi10.4324/9781003103820-1
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isPartOfBookPhotography, Truth and Reconciliation
oapen.relation.isFundedByMonash University
oapen.relation.isFundedByfba673a1-ae6a-4dd4-91dd-32bdd6d35a1e
oapen.relation.isbn9781032220239
oapen.relation.isbn9781474296069
oapen.imprintRoutledge
oapen.pages19
dc.relationisFundedByfba673a1-ae6a-4dd4-91dd-32bdd6d35a1e


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