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dc.contributor.authorZucconi, Benedetta
dc.date.accessioned2022-09-01T08:15:01Z
dc.date.available2022-09-01T08:15:01Z
dc.date.issued2022
dc.date.submitted2022-08-31T11:59:00Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/58074
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/91611
dc.description.abstractMusic has undergone a tremendous mediatization the last 100 years. Electrification and, later on, the digitization of music media have exposed music to an increased dissemination, both spatially – it can be heard almost everywhere – and temporally – one can listen to music almost anytime. This chapter aims to highlight and detail some fundamental changes and important transformations and displacements in everyday listening to recorded music as they first emerged. The macro level changes and transformations described by the concepts of mediatization and musicalization nevertheless depend on what happens at meso and micro levels. Recorded music in Sweden during the early decades of the century met with a “utilitarian” approach among audiences. In many ways, the change in attitude towards the gramophone and recorded music that can be traced in the reviews corresponds to transformations within the conceptual space.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherMusic/Sound Studies
dc.subject.otherthema EDItEUR::A The Arts::AV Music
dc.titleChapter 8 ‘Phonographic awareness’
dc.title.alternativeRecorded sound in early twentiethcentury Italy between aesthetic questions and economic struggles
dc.typechapter
oapen.identifier.doi10.4324/9781003006497-12
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isPartOfBookPhonographic Encounters
oapen.relation.isbn9780367439217
oapen.relation.isbn9781032057118
oapen.imprintRoutledge
oapen.pages18


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open access
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