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dc.contributor.authorLeto, Maria Rita
dc.date.accessioned2022-09-22T04:01:57Z
dc.date.available2022-09-22T04:01:57Z
dc.date.issued2019
dc.date.submitted2022-09-15T20:06:33Z
dc.identifierONIX_20220915_9788864539102_53
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/58257
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/92217
dc.description.abstractThe Croatian Moderna is usually defined as the moment when Croatian literature catches up with the literary trends that were current in Europe at that time. This “turn to Europe” was made possible by a series of historical events as well as by the experiences of a number of Croatian students living abroad, who encouraged the transnational debate that would eventually revolutionize Croatian literary culture. We argue, using the terms of Pierre Bourdieu, that the transnational and cosmopolitan nature of Moderna made possible the genesis of an autonomous Croatian literary field.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.subject.otherCroatian literature
dc.subject.otherModernism
dc.subject.otherModerna
dc.subject.otherPierre Bourdieu
dc.subject.otherMitteleuropa
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
dc.titleChapter La Moderna croata: un capitolo della cultura mitteleuropea
dc.typechapter
oapen.identifier.doi10.36253/978-88-6453-910-2.22
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864539102
oapen.pages9
oapen.place.publicationFlorence
dc.seriesnumber43
dc.abstractotherlanguageThe Croatian Moderna is usually defined as the moment when Croatian literature catches up with the literary trends that were current in Europe at that time. This “turn to Europe” was made possible by a series of historical events as well as by the experiences of a number of Croatian students living abroad, who encouraged the transnational debate that would eventually revolutionize Croatian literary culture. We argue, using the terms of Pierre Bourdieu, that the transnational and cosmopolitan nature of Moderna made possible the genesis of an autonomous Croatian literary field.


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