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dc.contributor.authorLazarevic Di Giacomo, Persida
dc.date.accessioned2022-09-22T04:16:55Z
dc.date.available2022-09-22T04:16:55Z
dc.date.issued2019
dc.date.submitted2022-09-15T20:06:11Z
dc.identifierONIX_20220915_9788864539102_40
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/58244
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/92372
dc.description.abstractThis article examine handwriting textbooks from 18th-century Europe. In 1774 the court of Vienna charged Johann Ignaz Felbiger with reforming the schools and his book on penmanship (1775) became the standard reference for how to write. In 1776 the Court sought a book on penmanship to be used specifically in Serbian and Vlach schools; the textbook of Zaharija Orfelin (1778) came into being to fill this need. The textbooks of both Felbiger and Orphelin have their basis in Felbiger’s first book on penmanship (1768). We also explore the possibility that other European handwriting manuals served as models for earlier works by Orfelin (1759, 1776).
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.subject.otherhandwriting textbooks
dc.subject.otherZaharija Orfelin
dc.subject.otherJohann Ignaz Felbiger
dc.subject.otherTextbook
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
dc.titleChapter Da Vienna con amore: il caleidoscopio delle calligrafie settecentesche e il caso Orfelin
dc.typechapter
oapen.identifier.doi10.36253/978-88-6453-910-2.31
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864539102
oapen.pages10
oapen.place.publicationFlorence
dc.seriesnumber43
dc.abstractotherlanguageThis article examine handwriting textbooks from 18th-century Europe. In 1774 the court of Vienna charged Johann Ignaz Felbiger with reforming the schools and his book on penmanship (1775) became the standard reference for how to write. In 1776 the Court sought a book on penmanship to be used specifically in Serbian and Vlach schools; the textbook of Zaharija Orfelin (1778) came into being to fill this need. The textbooks of both Felbiger and Orphelin have their basis in Felbiger’s first book on penmanship (1768). We also explore the possibility that other European handwriting manuals served as models for earlier works by Orfelin (1759, 1776).


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