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dc.contributor.authorPascale, Miriam
dc.date.accessioned2022-09-22T04:19:59Z
dc.date.available2022-09-22T04:19:59Z
dc.date.issued2020
dc.date.submitted2022-09-15T20:07:29Z
dc.identifierONIX_20220915_9788855182362_93
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/58297
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/92410
dc.description.abstractThis essay aims to examine the philosophic sources behind the representation of passions in Boccaccio’s tale of the scholar and the widow (Decameron VIII 7). If the definition of anger is attributable to Aristotle’s Nicomachean Ethics, I believe that it is possible to assume that the description of compassion, only mentioned in the moral treatise, derives instead from the Aristotle’s Rhetoric, where compassion is seen as a passion opposed to a kind of wrath, that is, indignation. The paper also investigates Boccaccio’s reception of the Latin translation of Aristotle’ Rhetoric. Did Boccaccio have direct knowledge of the Aristotelian text? Or had it been mediated to him by Thomas Aquinas’ Summa Theologiae?
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.otherDecameron
dc.subject.otherintertextuality
dc.subject.otherpassions
dc.subject.othercompassion
dc.subject.otherwrath.
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies
dc.titleChapter Ira e compassione. Fonti aristotelico-tomiste di Decameron VIII 7
dc.typechapter
oapen.identifier.doi10.36253/978-88-5518-236-2.07
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788855182362
oapen.pages14
oapen.place.publicationFlorence
dc.seriesnumber219
dc.abstractotherlanguageThis essay aims to examine the philosophic sources behind the representation of passions in Boccaccio’s tale of the scholar and the widow (Decameron VIII 7). If the definition of anger is attributable to Aristotle’s Nicomachean Ethics, I believe that it is possible to assume that the description of compassion, only mentioned in the moral treatise, derives instead from the Aristotle’s Rhetoric, where compassion is seen as a passion opposed to a kind of wrath, that is, indignation. The paper also investigates Boccaccio’s reception of the Latin translation of Aristotle’ Rhetoric. Did Boccaccio have direct knowledge of the Aristotelian text? Or had it been mediated to him by Thomas Aquinas’ Summa Theologiae?


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