Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company
| dc.contributor.author | Winkler, Amanda Eubanks | |
| dc.contributor.author | Schoch, Richard | |
| dc.date.accessioned | 2022-10-15T04:03:21Z | |
| dc.date.available | 2022-10-15T04:03:21Z | |
| dc.date.issued | 2021 | |
| dc.date.submitted | 2022-10-14T14:54:50Z | |
| dc.identifier | ONIX_20221014_9781350130593_175 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/58844 | |
| dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/92724 | |
| dc.description.abstract | Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Shakespeare’s lifetime changed absolutely everything. Founder of the Duke’s Company, Sir William Davenant influenced how Shakespeare was performed in a profound and lasting way. This open access book provides the first performance-based account of Restoration Shakespeare, exploring the precursors to Davenant’s approach to Restoration Shakespeare, the cultural context of Restoration theatre, the theatre spaces in which the Duke’s Company performed, Davenant’s adaptations of Shakespeare’s plays, acting styles, and the lasting legacy of Davenant’s approach to staging Shakespeare. The eBook editions of this work are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Queens University Belfast. | |
| dc.language | English | |
| dc.relation.ispartofseries | Shakespeare in the Theatre | |
| dc.rights | open access | |
| dc.subject.other | early modern theatre | |
| dc.subject.other | restoration theatre | |
| dc.subject.other | restoration Shakespeare | |
| dc.subject.other | adaptation | |
| dc.subject.other | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrights | |
| dc.subject.other | thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBD Literary studies: c 1600 to c 1800 | |
| dc.subject.other | thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACB English | |
| dc.subject.other | thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PX Relating to specific and significant cultural interests | |
| dc.subject.other | thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies::ATDF Theatre direction and production | |
| dc.title | Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company | |
| dc.type | book | |
| oapen.identifier.doi | 10.5040/9781350130609 | |
| oapen.relation.isPublishedBy | f75587da-2374-4722-9d42-9fffa7fa3f92 | |
| oapen.relation.isbn | 9781350130593 | |
| oapen.relation.isbn | 9781350130586 | |
| oapen.imprint | The Arden Shakespeare | |
| oapen.pages | 232 | |
| oapen.place.publication | London |
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