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dc.contributor.authorHansen, Pil
dc.date.accessioned2022-11-03T04:03:44Z
dc.date.available2022-11-03T04:03:44Z
dc.date.issued2022
dc.date.submitted2022-11-02T10:39:08Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/59144
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/93427
dc.description.abstractThis introduction motivates the objectives of Performance Generating Systems in Dance and provides wayfinding markers for the inquiries, insights, and resources of the book. First, the need to understand, conceptualize, and render accessible the practice of performance generating systems is discussed. I then sketch the interdisciplinary and multimethodological journey of research this book is based on and name the established artists and research collaborators that have been involved. The three theoretical frameworks of the book – dramaturgy, psychology, and performativity – are introduced and anchored in key insights about performance generating systems. From this backdrop, I outline how these frameworks are applied to, and further developed through, case examples of the practice by sharing a selection of the topics covered and discoveries offered within the contents of the book.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherperforming, dance, psychology, dramaturgy, notation, learning, movement therapy, trauma
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATQ Dance
dc.subject.otherthema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JM Psychology
dc.titleChapter Introduction
dc.title.alternativePerformance Generating Systems in Dance
dc.typechapter
oapen.relation.isPublishedBy50f7a92a-e12a-467c-8df9-e2c55ce90cc8
oapen.relation.isPartOfBookPerformance Generating Systems in Dance
oapen.relation.isbn9781789386400
oapen.relation.isbn9781789386424
oapen.pages38


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