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Idylle als Denkraum im 19. Jahrhundert

Literaturen, Künste, Medien

dc.contributor.editorFrei Gerlach, Franziska
dc.contributor.editorSchneider, Sabine
dc.date.accessioned2025-02-19T04:05:28Z
dc.date.available2025-02-19T04:05:28Z
dc.date.issued2024
dc.date.submitted2025-02-18T11:05:32Z
dc.identifierONIX_20250218_9783111241425_17
dc.identifierhttps://library.oapen.org/handle/20.500.12657/98711
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/151422
dc.description.abstractThis volume brings together chapters on the conspicuous rise of idyllic genre parameters in the various literatures, illustrated media, and visual arts of the long nineteenth century. The theory behind the resurgence of this ancient genre is that the idyll, centered around the emotion of happiness, functions as a repository of affect. Building on Jean Paul, it can be understood with Aby Warburg as a "space for thought."
dc.languageGerman
dc.rightsopen access
dc.subject.otherGermany
dc.subject.otheridyll literature
dc.subject.otherWarburg, Aby
dc.subject.otherthema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSM Comparative literature
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC9 History of ideas
dc.titleIdylle als Denkraum im 19. Jahrhundert
dc.title.alternativeLiteraturen, Künste, Medien
dc.typebook
oapen.identifier.doi10.1515/978311124142
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedBy0fdf8934-8e75-4de0-9cc0-44a33be9307b
oapen.relation.isbn9783111241425
oapen.relation.isbn9783111185347
oapen.relation.isbn9783111241593
oapen.imprintDe Gruyter
oapen.pages391
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]
dc.relationisFundedBy0fdf8934-8e75-4de0-9cc0-44a33be9307b
dc.abstractotherlanguageThis volume brings together chapters on the conspicuous rise of idyllic genre parameters in the various literatures, illustrated media, and visual arts of the long nineteenth century. The theory behind the resurgence of this ancient genre is that the idyll, centered around the emotion of happiness, functions as a repository of affect. Building on Jean Paul, it can be understood with Aby Warburg as a "space for thought."


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