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            A World of Fiction: Digital Collections and the Future of Literary History

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            Author(s)
            Bode, Katherine
            Language
            English
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            Abstract
            During the 19th century, throughout the Anglophone world, most fiction was first published in periodicals. In Australia, newspapers were not only the main source of periodical fiction, but the main source of fiction in general. Because of their importance as fiction publishers, and because they provided Australian readers with access to stories from around the world—from Britain, America and Australia, as well as Austria, Canada, France, Germany, New Zealand, Russia, South Africa, and beyond—Australian newspapers represent an important record of the transnational circulation and reception of fiction in this period. Investigating almost 10,000 works of fiction in the world’s largest collection of mass-digitized historical newspapers (the National Library of Australia’s Trove database), A World of Fiction reconceptualizes how fiction traveled globally, and was received and understood locally, in the 19th century. Katherine Bode’s innovative approach to the new digital collections that are transforming research in the humanities are a model of how digital tools can transform how we understand digital collections and interpret literatures in the past.
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/155395
            Keywords
            Literature; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism; thema EDItEUR::U Computing and Information Technology::UG Graphical and digital media applications
            DOI
            10.3998/mpub.8784777
            ISBN
            9780472130856
            Publisher
            University of Michigan Press
            Publisher website
            http://www.press.umich.edu/
            Publication date and place
            Ann Arbor, 2019
            Series
            Digital Humanities,
            Pages
            261
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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