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            Chapter 2 Antiphons

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            Author(s)
            Anderson, Michael Alan
            Language
            English
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            Abstract
            This chapter centers on the genre of antiphons, which are concise liturgical melodies that frame the recitation of a psalm or groups of psalms in the offices. It begins by charting their conventional pairing with psalms in the Office of the Virgin and the Office of the Dead. As short texted pieces of monophony with modest musical contour, antiphons have a peculiar way of unfolding in books of hours, led by an incipit at the outset and provided in full after the completion of the psalm. This customary presentation is explained, along with the performative ritual of interweaving the invitatory antiphon with Psalm 94. The chapter brings attention to the role of the well-known Marian antiphons in books of hours, as well as to antiphons in the Hours of the Cross and Hours of the Holy Spirit, which are repeated with great frequency.
            Book
            Music and Performance in the Book of Hours; Music and Performance in the Book of Hours; Music and Performance in the Book of Hours
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/167240
            Keywords
            Music, Medieval Studies, Medieval History, Renaissance
            DOI
            10.4324/9781003140511-4
            ISBN
            9780367691325, 9780367691387
            Publisher
            Taylor & Francis
            Publisher website
            http://www.taylorandfrancis.com/
            Publication date and place
            2022
            Imprint
            Routledge
            Pages
            29
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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