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            Sergei M. Eisenstein

            Notes for a General History of Cinema

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            Contributor(s)
            Kleiman, Naum (editor)
            Somaini, Antonio (editor)
            Language
            English
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            Résumé
            One of the iconic figures of the twentieth-century cinema, Sergei Eisenstein is best known as the director of The Battleship Potemkin, Alexander Nevskii and Ivan the Terrible. His craft as director and film editor left a distinct mark on such key figures of the Western cinema as Nicolas Roeg, Francis Ford Coppola, Sam Peckinpah and Akiro Kurosawa.This comprehensive volume of Eisenstein’s writings is the first-ever English-language edition of his newly discovered notes for a general history of the cinema, a project he undertook in 1946-47 before his death in 1948. In his writings, Eisenstein presents the main coordinates of a history of the cinema without mentioning specific directors or films: what we find instead is a vast genealogy of all the media and of all the art forms that have preceded cinema’s birth and accompanied the first decades of its history, exploring the same expressive possibilities that cinema has explored and responding to the same, deeply rooted, —urges˜ cinema has responded to. Cinema appears here as the heir of a very long tradition that includes death masks, ritual processions, wax museums, diorama and panorama, and as a medium in constant transformation, that far from being locked in a stable form continues to redefine itself. The texts by Eisenstein are accompanied by a series of critical essays written by some of the world’s most qualified Eisenstein scholars.
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/169947
            Keywords
            montage; untranslated notes; sergei eisenstein; history of cinema; Photography; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFB Individual film directors, film-makers
            DOI
            10.5117/9789089642837
            ISBN
            9789089642837
            Publisher
            Amsterdam University Press
            Publisher website
            www.aup.nl
            Publication date and place
            2016
            Series
            Film Theory in Media History,
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            • logo Investir l'avenirInvestir l'avenir
            • logo MESRIMESRI
            • logo EUEuropean Union
              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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