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            Wits and Interpretation

            Keyboard Thoughts

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            Author(s)
            Edlund, Bengt
            Language
            English
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            Abstract
            In what ways can analytic reection be of avail when engaging in music as a musician? What restrictions of the interpreter’s freedom do musical scores impose? Which licences do musicians in fact allow themselves? Can hierarchical tonal analysis really guide musicians towards artistically rewarding interpretations? Or is perhaps a painstaking and sensitive study of the musical details, revealing continuous processes, a more productive path to telling performances? roughout the book, the views and discussions are amplied by music examples.
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/171791
            Keywords
            Analytical methods; Bahsi; Bengt; Edlund; Esra; Golden section; Interpretation; Keyboard; Musical ambiguity; Musical hermeneutics; Musical plagiarism; Musical similarity; Schenkerian analysis; Thoughts; Wits; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
            DOI
            10.3726/b20238
            ISBN
            9783631890943, 9783631890950, 9783631889688
            Publisher
            Peter Lang International Academic Publishing Group
            Publication date and place
            Bern, 2023
            Pages
            464
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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