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            Deep-Time Images in the Age of Globalization

            Rock Art in the 21st Century

            Thumbnail
            Contributor(s)
            Abadía, Oscar Moro (editor)
            Conkey, Margaret W. (editor)
            McDonald, Josephine (editor)
            Language
            English
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            Abstract
            This open access volume explores the impact of globalization on the contemporary study of deep-time art. The volume explores how early rock art research’s Eurocentric biases have shifted with broadened global horizons to facilitate new conversations and discourses in new post-colonial realities. The book uses seven main themes to explore theoretical, methodological, ethical, and practical developments that are orienting the study of Pleistocene and Holocene arts in the age of globalization. Compiling studies as diverse as genetics, visualization, with the proliferation of increasingly sophisticated archaeological techniques, means that vast quantities of materials and techniques are now incorporated into the analysis of the world’s visual cultures. Deep-Time Images in the Age of Globalization aims to promote critical reflection on the multitude of positive – and negative – impacts that globalization has wrought in rock art research. The volume brings new theoretical frameworks as well as engagement with indigenous knowledge and perspectives from art history. It highlights technical, methodological and interpretive developments, and showcases rock art characteristics from previously unknown (in the global north) geographic areas. This book provides comparative approaches on rock art globally and scrutinises the impacts of globalization on research, preservation, and management of deep-time art. This book will appeal to archaeologists, social scientists and art historians working in the field as well as lovers of rock art.
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/174236
            Keywords
            Archaeology and globalization; Artifact and art at Diepkloof Rock Shelter; Art Historical Theory and Method for Rock Art Appreciation; Deep-time imagery; European Palaeolithic cave art; Globalization and material culture; Holocene arts; Indigenous knowledges; Indonesia’s Pleistocene rock art; Neuroscience and Understanding Rock Art; Perceptions of Indigenous identity; Pleistocene arts; Postcolonial Legacy and Indigenous Heritage in South Africa; Recent advances in archaeological research; Rock art and cultural heritage; Rock art and time-averaged buried deposits in archaeology; Rock Art, Modes of Existence and Cosmopolitics; Rock art finger fluting and hand stencils; Rock art research and knowledge-construction; thema EDItEUR::N History and Archaeology::NK Archaeology; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
            DOI
            10.1007/978-3-031-54638-9
            ISBN
            9783031546389, 9783031546372
            Publisher
            Springer Nature
            Publisher website
            http://www.springernature.com/oabooks
            Publication date and place
            Cham, 2024
            Imprint
            Springer International Publishing
            Series
            Interdisciplinary Contributions to Archaeology,
            Pages
            317
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            Credits


            • logo Investir l'avenirInvestir l'avenir
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            • logo EUEuropean Union
              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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