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dc.contributor.authorIngravalle, Grazia
dc.date.accessioned2025-03-08T04:16:14Z
dc.date.available2025-03-08T04:16:14Z
dc.date.issued2024
dc.date.submitted2024-01-02T13:21:34Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/86364
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/178746
dc.description.abstractArchival Film Curatorship is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive’s hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences.
dc.languageEnglish
dc.relation.ispartofseriesFraming Film
dc.rightsopen access
dc.subject.otherFilm Archives and Museums, Early and Silent Cinema, Film Curatorship, Digital Turn, Film Historiography
dc.titleArchival Film Curatorship
dc.title.alternativeEarly and Silent Cinema from Analog to Digital
dc.typebook
oapen.identifier.doi10.5117/9789463725675
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isbn9789463725675
oapen.pages241
oapen.place.publicationAmsterdam


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