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            Archival Film Curatorship

            Early and Silent Cinema from Analog to Digital

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            Author(s)
            Ingravalle, Grazia
            Language
            English
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            Abstract
            Archival Film Curatorship is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive’s hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences.
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/178746
            Keywords
            Film Archives and Museums, Early and Silent Cinema, Film Curatorship, Digital Turn, Film Historiography
            DOI
            10.5117/9789463725675
            ISBN
            9789463725675
            Publisher
            Amsterdam University Press
            Publisher website
            www.aup.nl
            Publication date and place
            Amsterdam, 2024
            Series
            Framing Film,
            Pages
            241
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            • logo EUEuropean Union
              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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