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            Chapter 7 Conclusion

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            Author(s)
            Miles, Melissa
            Language
            English
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            Abstract
            The notion that photographs are the products of biases and hidden agendas is nothing new. Photographs have presented Argentina’s Proceso as a source of peace and stability, Canada’s residential schools as agents of successful assimilation and the Extraordinary Chambers in the Courts of Cambodia as an unimpeachable force for justice. Photography has proven a valuable partner in these endeavours. Photographs provide evocative visual, temporal and material links to the past that allow them to be used as evidence, affirmations of different types of truth, political critique, and individual and shared historical narratives. Contemporary patterns of international photography education, exhibition, theorization and publication reaffirm the critical necessity of bringing a deterritorialized perspective to national case studies. Contemporary photographers are deterritorializing their responses to human rights abuses by forging connections between different historical events across time and space.
            Book
            Photography, Truth and Reconciliation
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/180037
            Keywords
            history of photography, art history, visual studies
            DOI
            10.4324/9781003103820-7
            ISBN
            9781032220239, 9781474296069
            Publisher
            Taylor & Francis
            Publisher website
            http://www.taylorandfrancis.com/
            Publication date and place
            2020
            Grantor
            • Monash University
            Imprint
            Routledge
            Pages
            9
            • OAPEN harvesting collection

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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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