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            War in Film

            Semiotics and Conflict Related Sign Constructions on the Screen

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            Contributor(s)
            Jacob, Frank (editor)
            Language
            English
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            Abstract
            The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well.
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/183300
            Keywords
            Omer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; film aesthetics; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; semiotics; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
            DOI
            10.14631/978-3-96317-852-8
            ISBN
            9783963173035
            Publisher
            Büchner-Verlag
            Publisher website
            https://www.buechner-verlag.de/
            Publication date and place
            2022
            Pages
            229
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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