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dc.contributor.authorGantner, Manuela
dc.date.accessioned2025-03-08T06:27:25Z
dc.date.available2025-03-08T06:27:25Z
dc.date.issued2023
dc.date.submitted2023-04-24T12:49:33Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/62537
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/184556
dc.description.abstractThe work deals with the iconography of the atom from the euphoria about nuclear technology of the 1950s to the anti-nuclear movement of the 1970s in the Federal Republic of Germany. Using the life and work of the German architect and graphic designer Rolf Lederbogen as an example, the socio-political dimension of nuclear technology in communication and visualisation of the narrative "Atoms for Peace" is put in context with the history of technical thinking in architecture and design.
dc.languageGerman
dc.rightsopen access
dc.subject.otherTechnikästhetik; „friedliches Atom“; Strategien des Sichtbarmachens; Atombilder; Nachkriegsmoderne; atomic culture; „Atoms for Peace“; strategies of visualisation; nuclear images; post-war modernism
dc.subject.otherthema EDItEUR::A The Arts::AM Architecture
dc.titleDas „friedliche Atom“ als Narrativ in Politik, Wissenschaft und Design
dc.title.alternativeIkonografie eines Diskurses zwischen 1953 und 1978
dc.typebook
oapen.identifier.doi10.5445/KSP/1000151106
oapen.relation.isPublishedBy68fffc18-8f7b-44fa-ac7e-0b7d7d979bd2
oapen.pages368


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