Das „friedliche Atom“ als Narrativ in Politik, Wissenschaft und Design
Ikonografie eines Diskurses zwischen 1953 und 1978
Abstract
The work deals with the iconography of the atom from the euphoria about nuclear technology of the 1950s to the anti-nuclear movement of the 1970s in the Federal Republic of Germany. Using the life and work of the German architect and graphic designer Rolf Lederbogen as an example, the socio-political dimension of nuclear technology in communication and visualisation of the narrative "Atoms for Peace" is put in context with the history of technical thinking in architecture and design.
