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            Chapter Introduction

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            Author(s)
            Miles, Melissa
            Language
            English
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            Abstract
            Photography, Truth and Reconciliation examines the special place of photographs in contexts of truth and reconciliation. The moral and political implications of viewing photographs of human suffering, especially from a political and geographic distance, informs much of this body of work. The importance of acknowledging these contextual specificities is why Photography, Truth and Reconciliation is structured around five discrete national case studies: Argentina, South Africa, Canada, Australia and Cambodia. Photography’s ability to lend itself to different forms of truth means that this medium has been eagerly adopted in contexts of truth and reconciliation. Reconciliation and its relationships to photography, truth and history are similarly variable and contextually determined. In studies of transitional justice, there is little consensus about what reconciliation means and how it can be achieved. The chapter also presents an overview on the key concepts discussed in this book.
            Book
            Photography, Truth and Reconciliation
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/188119
            Keywords
            history of photography, art history, visual studies
            DOI
            10.4324/9781003103820-1
            ISBN
            9781032220239, 9781474296069
            Publisher
            Taylor & Francis
            Publisher website
            http://www.taylorandfrancis.com/
            Publication date and place
            2020
            Grantor
            • Monash University
            Imprint
            Routledge
            Pages
            19
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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