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            Chapter The South African folle volo: Dante's Ulysses reinvented

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            Author(s)
            Fanucchi, Sonia
            Language
            English
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            Abstract
            The figure of Ulysses haunts the pages of Dante’s Commedia, embodying a tension between past and present, and the potential and dangers inherent in any attempt at transformation. In this chapter I focus on four creative pieces by young South African students for whom Dante’s Ulysses becomes a rich and suggestive symbol. Despite their overt differences in approach, I argue that these pieces are all connected by a creative response to Dante, translating and conversing with his Ulysses from their personal and political perspectives. They are notable for their paradoxical approach to Dante’s hero, as they attempt to fashion new identities, to break free of the destructive influence of South Africa’s past, and to develop a more authentic, moral language.
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/195096
            Keywords
            Dante’s Ulysses; Ulysses in Africa; folle volo; nostalgia; Ulysses myth
            DOI
            10.36253/978-88-5518-458-8.10
            ISBN
            9788855184588
            Publisher
            Firenze University Press
            Publisher website
            www.fupress.com/
            Publication date and place
            Florence, 2021
            Series
            Studi e saggi,
            Pages
            15
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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