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            Television Drama from Germany

            Production, Storytelling and "Quality"

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            Author(s)
            Krauß, Florian
            Language
            English
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            Abstract
            This open access book examines how TV professionals in Germany have negotiated “quality TV drama” from 2015 to the present. As practitioners have adapted quality TV – a term most strongly associated with US series – to their own national context, they have simultaneously dealt with shifts in screenwriting and storytelling as well as with broader transformations of the local television industry. As in other European countries, in Germany this has included a crucial upheaval: the emergence of various streaming services, which has multiplied the television market. As a systematic study of this changing fiction industry, Television Drama from Germany will be of great interest to both academics and practitioners working both within and outside the German-language television market.
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/199737
            Keywords
            production cultures; German television; Drama; Quality TV; storytelling; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television; thema EDItEUR::A The Arts::AT Performing arts
            DOI
            10.1007/978-3-031-60622-9
            ISBN
            9783031606229, 9783031606212
            Publisher
            Springer Nature
            Publisher website
            http://www.springernature.com/oabooks
            Publication date and place
            Cham, 2024
            Imprint
            Palgrave Macmillan
            Series
            Palgrave Studies in Screenwriting,
            Pages
            298
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            Credits


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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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