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Chapter «…in una lingua “scritta”». Stile, ritmi, registri in Pomo pero

dc.contributor.authorPietro De Marchi
dc.date.accessioned2025-11-27T11:02:00Z
dc.date.available2025-11-27T11:02:00Z
dc.date.issued2024
dc.date.submitted2025-08-01T15:49:59Z
dc.identifierONIX_20250801T173835_9791221505658_156
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/104706
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/206230
dc.description.abstractLuigi Meneghello claimed that with Pomo pero (1974) he had gone further, stylistically, than in his previous books. The contribution focuses on some aspects of Pomo pero’s style (especially rhythm) and then on the alternation or, rather, co-presence of the comic-humorous register and the serious or tragic in a chapter of the second part of the book.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.otherInteractions of comic and tragic
dc.subject.otherPomo pero
dc.subject.otherRhythm
dc.subject.otherStyle
dc.titleChapter «…in una lingua “scritta”». Stile, ritmi, registri in Pomo pero
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0565-8.19
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221505658
oapen.pages12
oapen.place.publicationFlorence
dc.seriesnumber77
dc.abstractotherlanguageLuigi Meneghello claimed that with Pomo pero (1974) he had gone further, stylistically, than in his previous books. The contribution focuses on some aspects of Pomo pero’s style (especially rhythm) and then on the alternation or, rather, co-presence of the comic-humorous register and the serious or tragic in a chapter of the second part of the book.


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