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            Accidental Archivism

            Shaping Cinema’s Futures with Remnants of the Past

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            Author(s)
            Agina, Añulika
            Alipanah, Hadi
            Babić, Gaby
            Balatbat-Helbock, Lynhan
            Balsom, Erika
            Beckmann, Marie Sophie
            Bernien, Mareike
            Biswas, Amrita
            Çakmak, Sema
            Campanini, Sonia
            Carter, Erica
            Çelikaslan, Özge
            César, Filipa
            Cheeka, Didi
            Davis, Vaginal
            Dutta, Madhusree
            El Said, Tamer
            Escobar López, Almudena
            Glazunova, Mariia
            Gregor, Ulrich
            Goncharuk, Olena
            Gramann, Karola
            Hariharan, Veena
            Hassan, Mohammad Shawky
            Heredia, Shai
            Hering, Tobias
            Ingravalle, Grazia
            Kaushik, Ritika
            Keidl, Philipp Dominik
            Pratiwi, Julita
            Rahman, Lisabona
            Khitsinska, Ivanna
            Kim, Hieyoon
            Kloeckner, Laura
            Kröger, Merle
            Makarevic, Asja
            Meyn, Nils
            Ndaliko Katondolo, Petna
            Ohene-Asah, Rebecca
            Pantenburg, Volker
            Perneczky, Nikolaus
            Pitassio, Francesco
            Ruhm, Constanze
            Schlüpmann, Heide
            Schneider, Alexandra
            Shambu, Girish
            Siegel, Marc
            Sungu, Can
            Thieme, Clarissa
            Turajlić, Mila
            Vasudevan, Ravi
            Venturini, Simone
            Younis, Ala
            Contributor(s)
            Schulte Strathaus, Stefanie (editor)
            Hediger, Vinzenz (editor)
            Language
            English
            Show full item record
            Abstract
            In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force. Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema.
            URI
            https://doab-dev.siscern.org/handle/20.500.12854/200953
            Keywords
            activism; pandemic; cinema; digitality; archivism; media ecology; repositories
            DOI
            10.14619/0535
            ISBN
            9783957960542, 9783957960535
            Publisher
            meson press
            Publisher website
            www.meson.press
            Publication date and place
            Lüneburg, 2023
            Grantor
            • Deutsche Forschungsgemeinschaft
            Imprint
            meson press
            Series
            Configurations of Film,
            Classification
            Film theory & criticism
            Library, archive & information management
            Media studies
            Pages
            492
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            Credits


            • logo Investir l'avenirInvestir l'avenir
            • logo MESRIMESRI
            • logo EUEuropean Union
              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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